by Barbara Demick ‧ RELEASE DATE: July 28, 2020
Memorable voices inform a penetrating, absorbing history.
A portrait of one town reveals Tibet's tragic past.
Demick, a reporter for the Los Angeles Times who served as its bureau chief in Beijing and Seoul, offers a vibrant, often heartbreaking history of Tibet, centered on Ngaba, which sits at 11,000 feet on the plateau where Tibet collides with China. The author made three trips to the town beginning in 2013, and she interviewed Tibetans in Ngaba and many others living abroad, including the Dalai Lama and an exiled princess, who spoke candidly about the culture, religion, and politics of the besieged region. Tibet has long been vulnerable to Chinese invasion: In the 1930s, Red Army soldiers, after ransacking farms and slaughtering animals, caused widespread famine. Desperate from hunger, they discovered that votive statues in the monasteries were sculpted from barley flour and butter and were forced into “literally eating the Buddha.” Demick chronicles decades of incursions, beginning in the 1950s, that resulted in cultural upheaval, economic hardship, and the deaths of about 300,000 Tibetans. Determined to sweep out religion, the Chinese demolished monasteries. Images of the Dalai Lama—or even mention of his name—incurred harsh punishment. Tibetans were herded into communes, where they could not even cook for themselves. Schoolchildren were indoctrinated to believe that the Communist Party “had liberated Tibet from serfdom.” By 1968, protests arose, demanding the “dismantling of the communes, the distribution of livestock to the people, and the right to reopen the monasteries.” Not surprisingly, the Communists refused, directing militias to intimidate and persecute the activists. The protests, Demick writes, “established Ngaba’s reputation for rebelliousness,” which intensified in 2009, when Ngaba became notorious for self-immolations, “an unequivocal register of discontent.” Although many Tibetans are grateful for the economic growth and technology that the Chinese have brought, the loss has been tremendous. “I have everything I might possibly want in life,” one Tibetan businessman told Demick, “but my freedom.”
Memorable voices inform a penetrating, absorbing history.Pub Date: July 28, 2020
ISBN: 978-0-8129-9875-7
Page Count: 368
Publisher: Random House
Review Posted Online: May 13, 2020
Kirkus Reviews Issue: June 1, 2020
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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