This gathering of retold stories from the Talmud and elsewhere features dazzling watercolor art matched to encounters with the Old Testament figure who has become, as Goldin (While the Candles Burn, 1996, etc.) writes, “a symbol of hope, a figure who stands for what is just and good in the world.” She evokes the worldwide “journey” of the Jewish people by setting her tales in an array of times and places, from modern Israel to Argentina and ancient China; no matter where he puts in an appearance, Elijah offers choices or chancy blessings that, often indirectly, lead the perplexed, misled, or discontented to wisdom. From tiny, jewel-like title decorations to crowd scenes that ripple with movement, Pinkney’s watercolors provide a shimmering backdrop to these reverent, simply told renditions. (bibliography) (Folklore. 8-12)