Arresting reading that identifies obstacles and dangers to democracy, many at the highest levels of government.
The idea that a second American civil war is brewing is not alarmist hyperbole.
“We are no longer the world’s oldest continuous democracy,” writes Walter, a professor of international relations who has written multiple books about the mechanics of civil war. Instead, the U.S. is now an “anocracy,” a democracy on the road to becoming an autocracy. Chalk much of that decline up to Trump, of course, and those who abetted his efforts to establish an autocracy and preserve it by means of a coup. The image that should be brought to mind is not of columns of blue- and gray-clad soldiers meeting on battlefields; instead, it lies in the scattered rubble of the federal building in Oklahoma City and the insurrection at the Capitol on Jan. 6, 2021. Walter locates similar circumstances in Ukraine and Myanmar, among other places where “elected leaders—many of whom are quite popular—start to ignore the guardrails that protect their democracies.” Even though the number of democratic nations has grown markedly in the last century, the path to getting there is perilous, since entrenched power interests will always resist sharing their power. Another element of danger to popular rule is technological. “It’s not likely to be a coincidence,” writes the author, “that the global shift away from democracy has tracked so closely with the advent of the internet, the introduction of the iPhone, and the widespread use of social media.” Amplifying radicalism and rewarding attack, such media undermine public trust and reinforce long-standing resentments, a critical component in an antinomian environment in which right-wingers “choose the strategy of the weak: guerrilla warfare and terrorism.” Walter offers a few solutions: eliminating the Electoral College, reforming the Senate, and banning radical expression and disinformation campaigns on social media, for “curbing the dissemination of hate and disinformation would greatly reduce the risk of civil war.”
Arresting reading that identifies obstacles and dangers to democracy, many at the highest levels of government.Pub Date: Jan. 4, 2022
ISBN: 978-0-593-13778-9
Page Count: 320
Publisher: Crown
Review Posted Online: Oct. 25, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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