A thoughtful, well-written sampling of religious uncertainty.
Newhall explores the porous boundary between skepticism and belief in this debut work of nonfiction.
In a time when religious people and atheists both seem to be taking a harder line, Newhall considers those whose spiritual leanings fall somewhere between faith and doubt; a category into which she herself fits. After a childhood of strong belief, she found, in adulthood, much more reason to question God’s existence: “Every once in a while…I’ll feel God’s presence. And for a breathless moment, I’ll remember and think, yes, God is here. Of course God is here. How could it be otherwise? But that is only some of the time. Most of the time I have lived with the otherwise.” She tells the stories of similar people she’s met: a Catholic who left the religion of his childhood for Buddhism; an atheist who attempts to prove God’s existence by asking that he lift a pea; a Muslim musician who is distraught by the changing face of Islam; a Congregationalist minister who questions her faith after losing a pregnancy. The book contains representatives of many traditions: Evangelicalism, Mormonism, Hinduism, the religion of the Miwok of California. Most end up erring on the side of belief, yes, but only after periods of uncertainty. Told with the practiced rhythms of a longtime storyteller (Newhall has been a staff writer at a number of newspapers), the prose is crisp and accessible. The accounts of her subjects are told in the first person, which lends a bit of intimacy to their experiences. The book will likely find its readership among those people who see themselves reflected in its pages—those who have been looking for but not finding God. It succeeds in its reminder that while religious certainty may be an ideal, it’s far from the norm: most are unsure of what powers might exist at the other end of death or prayer or enlightenment. Readers are unlikely to come away feeling closer to any cosmic truths, but they may feel a bit less alone.
A thoughtful, well-written sampling of religious uncertainty.Pub Date: Feb. 19, 2015
ISBN: 978-1-939221-25-4
Page Count: 270
Publisher: Patheos Press
Review Posted Online: Aug. 2, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Review Program: Kirkus Indie
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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