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EXIT VELOCITY

A creative exploration of human rights, grief, and self-discovery in the face of opposition.

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In this novel, a young woman attempts to rebuild her life after her sister’s tragic death with a little help from an otherworldly parrot.

After her sister was killed in a Chicago high school shooting, Rowan Pickett lost her job and quit college. Now, she’s floundering. She’s lived alone for months, ever since her mother disappeared to grieve, as she put it. But then a colorful parrot flies through Rowan’s window. Known as Deeplea, the creature was sent from another world to “find, protect, and nurture three individuals” on Earth to help end “the misery and violence” of humanity’s “daily existence.” The book’s chapters offer the alternating viewpoints of Rowan, Deeplea, and podcaster Jake Terranova, whose initial attempt to interview the protagonist slowly develops into a friendship. With the aid of her newfound companions, Rowan begins to pick up the pieces of her life and even snags a part-time job at a shipping company. But after she and her close friend Keisha Longshaw are attacked by Zeb Snoddy, the head of Patriotic Owners of Weapons and a well-known “Nazi worshipper,” the actions Rowan takes to defend herself put everything into question. Gregorich injects just enough SF whimsy into a very relevant modern-day plot to make the story truly memorable. While the dialogue sometimes comes across as a bit stiff, the characters are vividly drawn. The author tackles a lot of important issues—including suicide, gun control, and the rights of workers, minorities, and women—to the point that sometimes she seems to be checking off a list. At one point, Keisha asserts: “We not only have the right to self-defense…but if we want to end violence against women, an obligation to self-defense. We cannot let this violence continue. We need to prepare, and we need to join self-defense groups!” But Rowan’s newfound sense of justice—and her harsh discovery of the lengths that are sometimes necessary to achieve it—will likely stir readers as they reach the inventive novel’s conclusion.

A creative exploration of human rights, grief, and self-discovery in the face of opposition.

Pub Date: June 4, 2024

ISBN: 9798350924657

Page Count: 376

Publisher: BookBaby

Review Posted Online: Feb. 29, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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