The story of a violinist named Gemino, who has a jewel heart but no voice, and a dancer named Pavelle. One day, Gemino disappears, and Pavelle follows the shadows (a beautifully rendered collection of animals drawn in eerie blue tones) to where Gemino has fallen and hit his head. He is in tatters because a wood rat ``nibbled his hair, nibbled his clothes, and took his jewel heart.'' The shadows bring Pavelle spider's thread, a thistle thorn, some dandelion down, and one brown seed, so that Pavelle can put Gemino back together again. She stitches a suit of shadows, gives him the seed for a new heart, and he comes back to life and begins to play for her once again. She dances, and Gemino's seed heart bursts into a flower—finer, in Pavelle's mind, than any jewel. This classic ballet scenario is a beautiful story, although the jewel moral at the end is clunky, and—whether intentionally or not—the narcissism and imperiousness of ballet dancers comes through loud and clear. Gemino and Pavelle are a bit saccharine and unoriginal, but Berger's (Gwinna, 1990, etc.) illustrations have a dreamlike quality that works perfectly with the tone set by the text. Magical if sentimental. (Fiction/Picture book. 3-8)
Pub Date: Sept. 15, 1994
ISBN: 0-399-22681-8
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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