THE FIREWEED MOON

In the final book of Dzikowski’s Moon Trilogy, a 44-year-old artist leaves New York City to visit a town that shares her name, where a stranger is looking for her.

Ohioan Leon Ziemny knows “things could flip on a nickel,” and in this series entry, things certainly do: Leon’s childhood home back in Langston, Indiana, is on a list of buildings to be demolished. His middle-aged daughter, Willow, unexpectedly shows up in his current hometown of Weeping Willow, Ohio, just after someone else wanders into town asking about her. Leon’s first wife, Noël Trudeau, died giving birth to Willow in this quiet town, which was known as just Willow back then. Tragedy haunts several families there, including the Ziemnys and Trudeaus as well as the Ketchfields, so it’s no wonder that the town was renamed after the weeping willow trees that Leon planted after Noël’s death. Noël’s parents, Jack and Lily Trudeau, had moved to Willow in 1953, not long after the horrific death of Black preacher Raymond Roberts in their former Louisiana town. Over the years, the families experience a stillbirth, a premature death, suicides, and—in 2020—further tragedy after the unexpected appearance of the preacher’s elderly younger brother Booker, who’s trying to solve his own family’s mysteries. Time works differently in small towns, and in the best novels about such places, the prose does, as well: “This is a messy world. We live in an in-between place,” the preacher tells Lily in 1953, as read by Willow in 2020, and all time seems to exist at once. Letters found in secret compartments, medical records stashed in basements, and a buried Bible effectively bring the past’s mysteries to life and complicate the present. Somehow, Dzikowski keeps the narrative moving with the unhurried consistency of a sidewalk stroll to the corner store—one in which, as Lily writes in a letter, “even the cracks on the sidewalk seem to sing.”

Love and familial empathy shine through in this quiet, powerful novel.