A complex and engrossing family tale with strong characters.
This sequel revisits a troubled family as it wrestles with love in all its beautiful and terrible forms.
The novel begins in 1973. Noël Trudeau, ex-wife of Leon Ziemny, is pregnant. Against her doctor’s dire warning, she gives birth to a daughter, Willow, and dies. Fast-forward to the late ’90s. Armed with her mother’s diary, Willow is determined to probe her past. She embarks on a trip that takes her to her mother’s grave in Willow, Ohio, and then to the Ziemnys, still in the steel town of Langston, Indiana. Old Walt Ziemny is in the early stages of Alzheimer’s, but the disease soon starts moving fast. His son Ricky, an artist, never married after Noël wed Leon instead of him. That union imploded, and Leon and his second wife, Stella, have, for over 25 years, been in a marriage that died long ago. Then Willow shows up, claiming that Noël was her aunt while she tries to figure things out, test the waters. Slowly, she becomes accepted even if she is still a mystery. Eventually, an important family secret is revealed. Like the author’s previous novel, The Moonstoners(2019),this second volume of a trilogy shows Dzikowski to be a very sensitive observer and writer. Even though the old Polish neighborhood in Langston is changing, the author paints a loving picture of the area, anchored by the parish church and Walt’s tavern, the Mazurka Inn. There are no missteps here, and there are wonderful character studies, especially of Walt and Leon. Walt was the only one to accept Noël from the get-go. Now, his Alzheimer’s is painful for the whole family (and clearly Dzikowski knows a lot about the condition). Leon has always been locked up tight, pushing people away, and readers will want to scream at him, shake him. Willow could be his salvation. He ultimately begins a new life—a better life for a better man. Because everything has been so hard won, the final peace is all the sweeter. Readers will be eagerly awaiting the author’s next installment.
A complex and engrossing family tale with strong characters.Pub Date: June 15, 2020
ISBN: 978-0-9840305-6-9
Page Count: 302
Publisher: Wiara Books
Review Posted Online: June 17, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: tomorrow
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