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ANNA AND THE CAT LADY

Viewed as a neighborhood eccentric partly because of her many cats, Mrs. Sarafiny fascinates Anna, who can't have a pet because of her older sister's allergies. After Anna and her friend Bethie embark on a piece of feline rescue work, they place a stray with the ``cat lady'' and get better acquainted with her. During subsequent visits, the children witness Mrs. Sarafiny's deteriorating mental condition and worry about her meals (she eats cat food)—so much so that they take cans from home and spend their own money shopping for her. After the elderly woman puts a TV set in the oven (she says she's ``making a TV dinner''), Anna and Bethie know they can't cope alone. Parents and other adults take charge; Mrs. Sarafiny, diagnosed as a paranoid schizophrenic, is soon on the mend. How the seemingly impoverished Mrs. Sarafiny will pay for the ongoing care prescribed for her is never made clear. But that's only one problem in a story flawed by the effort to keep emotions and perspectives child-size; it seems labored and occasionally borders on precious. Few children will sit still for it. (Fiction. 8-11)

Pub Date: Feb. 28, 1992

ISBN: 0-06-020242-4

Page Count: 176

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1991

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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THE COLOR OF MY WORDS

This standout novella lustrously portrays Ana Rosa and the rich simplicity of her family’s daily life in the Dominican Republic. The linked vignettes and elegant prose vitalize the merengue music, colorful houses, as well as the people’s poverty and the tyranny of the government. Each chapter begins with one of Ana Rosa’s lovely rhythmic verses. A poet and writer at age 12, she steals bits of paper to record everything she sees, hears, and imagines. Ana Rosa’s family is very close by necessity, but it is her beloved brother Guario who has the job that supports them. As the novella proceeds, dark shadows begin to slink through the gentle days. We learn that Ana Rosa’s father drinks too much rum and Coke, especially on Sundays, when he becomes a lurching spectacle. Then an official informs the villagers that to build a hotel, the government has sold the land on which their families have lived for generations. The villagers band together, Ana Rosa writes an article, and her brother Guario becomes their passionate leader. But when the day of the standoff arrives, the villager’s words and rocks are nothing against the guardia’s guns and bulldozers. The heartbreaking result is Guario’s death. Without diluting the sorrow, Joseph (Fly, Bessie, Fly, 1998, etc.) illustrates the good arising from the tragedy as the government cancels the hotel project and Ana Rosa begins writing the life of her brother. This is an achingly beautiful story that will awaken profound emotions in the reader. (author’s note) (Fiction. 8-11)

Pub Date: Aug. 31, 2000

ISBN: 0-06-028232-0

Page Count: 144

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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