A bracing literary investigation of war and its emotional ramifications.
A collection of short stories explores the experiences of American soldiers fighting in Iraq and Afghanistan, the mothers fearing for their safety, and veterans struggling at home.
Mujica’s son, Mauro, served in Iraq in the military, an adventure that she experienced as an emotional ordeal. Even after he safely returned, she continued to obsessively imagine what it was like to serve in combat conditions abroad. She was desirous for war stories since her son persistently avoided discussing his own. She eventually got deeply involved in providing help for veterans facing challenges, a labor of love that became a fount of inspiration for these 18 tales. At the thematic heart of this assemblage is the fearful concern of a mother confronted by the inscrutability of her son’s service. In one tale, a mother greedily consumes the anecdotes of a soldier, an antidote to her own son’s reticence: “I didn’t want him to stop talking. My own son had never told me anything at all about the war, and I was ravenous for information.” Mujica also adopts the perspectives of the soldiers as well as delivering a female viewpoint. In one story, former Army medic Sandra Winifred O’Reilly is humiliated by a dogmatically pacifist professor in medical school. The stories evince a gritty verisimilitude, which is unsurprising since the author explains that they are “all based on actual events, but they are also products of my own obsessive imaginings.” But Mujica is sometimes too conspicuous in her efforts to achieve emotional poignancy. She can create a didactically artificial timbre, as if she’s presenting readers a moral lesson of some kind. In addition, some of the moments seem melodramatic. For example, consider this military interrogator’s first impression of an Iraqi woman he questions: “It was because Calla was the most beautiful woman he had ever seen. Even more beautiful than his wife. He didn’t want her to be married. He didn’t want her to belong to someone else.” Still, these stories are generally authentic and affecting.
A bracing literary investigation of war and its emotional ramifications.Pub Date: Jan. 26, 2021
ISBN: N/A
Page Count: 346
Publisher: Living Springs Publishers
Review Posted Online: Nov. 6, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Review Program: Kirkus Indie
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
