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FIX AND STITCH

The appealing story of a heroic helper whose good-natured generosity is almost his undoing.

Woodland animals convey a lesson about self-care.

Squirrel neglects to prepare for winter. But unlike Aesop’s lazy grasshopper, he is motivated by benevolence or perhaps by the need to be needed. Though Squirrel, an expert tailor, has a plan to build his winter home, he is willingly deterred when his many friends successively need help. Fox has a torn coat; Porcupine would like to cover her spines to make hugs possible; a floral coverall could mask Skunk’s stench; Rabbit has no way to corral her kits. Squirrel, conscious of the shortening days, eventually resists but again gives in to Rabbit’s tearful pleas. After all, each friend promises to bring materials for Squirrel’s winter abode. Snow is falling, and it’s almost too late when they do show up, but they come through in the end. The messages—spelled out in a diplomatic afterword addressed to small readers—are to secure one’s own oxygen mask before helping others and that it’s OK to say no to a friend. Nass’ nimble text includes vocabulary words such as flared, whiffed, trembled, and wheezed. Woodruff’s finely drawn and subtly colorful vignettes and double-page spreads have a classic air; they suggest that these anthropomorphized animals are cousins of Beatrix Potter’s beloved creatures. (This book was reviewed digitally.)

The appealing story of a heroic helper whose good-natured generosity is almost his undoing. (Picture book. 5-8)

Pub Date: Aug. 15, 2023

ISBN: 9781534111707

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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