A sprightly new cozy series for Ross (Steamed Open, 2018, etc.) with plenty of entertaining characters, hidden clues, and a...
A Massachusetts retiree with a knack for discovering secrets lands a new gig.
Jane Darrowfield, who has a reputation among her friends as a problem-solver, is offered a job at Walden Spring, an adult community in Concord. But director Paul Peavey is evasive about what exactly the job involves. When Jane, at his suggestion, moves into an apartment pretending to be a potential long-term resident, she sees that Walden Spring has rival cliques, just like high school. Because she’s already met Evangeline Murray, a friend of a friend, Jane lunches with the artists. The leather-jacketed bad boys are led by Mike Witkowski and the popular preppies by Bill Finnerty, whose wife is in the Alzheimer’s unit. At the same time, Jane, who’s vetting men from a dating site for a friend, finds herself drawn to Harry Welch and agreeing to another date after years of wariness ever since her husband took off with another woman and most of their money, leaving her to climb back to financial security on her own. Jane soon discovers disturbing undercurrents at beautiful Walden Spring, especially between Bill and Mike. When Bill’s found beaten to death on the golf course, Jane’s ready to go home. Since Peavey and the police prefer that she stay, she decides to do a little snooping. She’s especially interested in the identity of a man she’s seen walking across the community’s golf course late at night. The case takes an unexpected turn with the discovery that Bill and Mary Finnerty were killed in a car crash 12 years ago. So who are the residents passing as Bill and Mary?
A sprightly new cozy series for Ross (Steamed Open, 2018, etc.) with plenty of entertaining characters, hidden clues, and a touch of romance.Pub Date: June 25, 2019
ISBN: 978-1-4967-1994-2
Page Count: 272
Publisher: Kensington
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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