Gauzy romancer Bradford (Angel, 1993, etc.) offers a middling grabber in which a woman's great loves and happy life are destroyed by violence and death, and she begins the long climb back. Mallory (``Mal'') Keswick is blissfully married to English Andrew and is the mother of preschool twins. The family retreat from New York City, where Andrew is an ad exec, is ``Indian Meadows,'' a classic colonial house in northwestern Connecticut. In 1988, the Keswicks will have been married ten years and are much in love; the twins are adorable; the house and grounds are exquisite- -of a ``gentle serenity,'' Mal thinks. Life is perfect. Then there's a brief trip to London and Claridges, with their suite sporting a fireplace and a baby grand. Life is indeed fine. Trying for a baby and wondering whether Mal's archaeologist father (separated from her mother for ages) will find another mate, and why lovely, kind Diana, Andrew's mother, doesn't remarry, is about all there is to ponder family-wise. From London, the pair visit Diana in her 1563 estate in Yorkshire, where Mal discovers a Tudor- era diary. Then home for Christmas. But in that 1988 December, the unthinkable happens: In one insane instant, Mal's family is gone, shot dead by carjackers. In her agony, Mal plans suicide, but eventually she will be forced to fight through her grief and live again. Along the way, there will be encouragement from Diana—but also the dear ghostly presences of those she has lost. At the close there is a new career and the promise of a new relationship. The sunshine half of this novel is a fun glide through Beautiful Living, and the dark stuff has a weeper potential for the susceptible. Stronger and simpler than Bradford's recent others. (Literary Guild main selection; $450,000 ad/promo; author tour)
Pub Date: Aug. 1, 1994
ISBN: 0-06-017723-3
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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