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IN THE LION'S DEN

Despite a few mild threats, nothing to suggest any actual lions in this den.

The second in Bradford’s House of Falconer series about a retail dynasty.

By 1889, James Falconer, soon to turn 21, has made himself indispensable to commerce impresario Henry Malvern while dreaming of founding his own retail empire. As in the first installment, Master of His Fate (2018), James’ extended family is still warm and supportive. The decor of every dwelling, be it ever so bourgeois, is still lavishly detailed. And James is still exhibiting his preference for older women. His lover Mrs. Ward, age 31, left London for health reasons, but now there is Irina, age 22, fetching great-granddaughter of a Russian ambassador. One senses immediately, despite their speedy progress from attraction to a perfunctory “insert sex scene here,” that Irina is just a place holder—until James and Alexis, Henry’s daughter, between whom an attraction has been brewing since Master, can resolve their differences. Which seem to have mostly to do with competition for her father’s good graces. To Alexis' extreme resentment, James has effectively usurped her status as Malvern’s chief deputy since Alexis has chosen to remain, grieving, in the Kentish cottage her late fiance, Sebastian Trevalian, built for her before his untimely demise. While avoiding her own family, Alexis is still involved with Sebastian’s clan, which inhabits the large Trevalian country estate nearby—and she’s hurt when the Trevalians avert a potential scandal, involving an unwed mother, without her help. Too often, such misunderstandings take the place of actual conflict. The mystery of who hired thugs to attack James and a friend, left dangling in Vol. I, is also too abruptly solved here. As the undisputed heiress, however capriciously she treats her father, to the company James can only claim sweat equity in, Alexis is clearly a more suitable match for the budding tycoon. So of course they will end up together—it's just a matter of how much window dressing gets in the way.

Despite a few mild threats, nothing to suggest any actual lions in this den.

Pub Date: Oct. 6, 2020

ISBN: 978-1-250-18742-0

Page Count: 352

Publisher: St. Martin's

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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