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THE HEIR

Bradford’s plodding exposition—she’s no exponent of late-in, early-out scene-crafting—makes for novelistic terrain almost as...

Second in the Ravenscar trilogy (after The Ravenscar Dynasty, 2007) draws more tortured parallels between the über-rich Deravenel clan and the Plantagenet and Tudor monarchs.

After wresting control from the Lancaster Deravenel-Grants, Edward “Ned” Deravenel is firmly at the helm of Deravenels, the family’s global trading company, and, like any effective totalitarian, he’s restored a modicum of peace to the organization. On the surface, his amply staffed households, including Ravenscar, the family’s ancestral Yorkshire castle, run smoothly. World War I has just ended, and Deravenels forecasts an even more profitable peacetime. But beneath the opulence is the reality: Ned’s beautiful wife Elizabeth is an enervating shrew, but an alluring one—witness their ever-increasing brood, including the obligatory male “heir and spare,” and level-headed elder daughter Bess, the designated alternate heir. George, Ned’s younger brother, is a dissolute lout who runs up gambling debts and embarrasses the firm. Ned manages to contain these threats, until Elizabeth tars his family with vicious gossip, and George claims to be the true heir to Deravenels. Elizabeth is easily cowed, and George is exiled to the Burgundy branch of Deravenels, where, like his Plantagenet predecessor George, Duke of Clarence, he’s done in by killer wine barrels. Edward succumbs to a heart attack, and youngest brother Richard becomes conservator of Deravenels until Edward’s heirs reach majority. Emulating his avatar, Richard III, he exploits his regency to launch a corporate bloodbath. Edward’s young sons disappear while fishing off Ravenscar’s cliffs. And tramping Ravenscar’s grounds, Richard runs into serious trouble. Bess, meanwhile, agrees to cede her birthright to her husband, Henry Turner (aka Tudor), scion of the supplanted Deravenel-Grants. Cut, vertiginously, from 1928 to 1970, with only cursory mention of interim cataclysmic events. Harry Turner, analog of Henry VIII, still can’t get a divorce.

Bradford’s plodding exposition—she’s no exponent of late-in, early-out scene-crafting—makes for novelistic terrain almost as rock-strewn as Ravenscar.

Pub Date: Nov. 1, 2007

ISBN: 978-0-312-35462-6

Page Count: 496

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2007

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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