Bradford's chatterbox style and cast of thousands create nothing but confusion, but her fans probably won't care.
A ho-hum mystery of sorts from megaselling Bradford (A Sudden Change of Heart, 1999, etc.), this about a young actress who’s haunted by a violent attack on her closest chums.
Katie Byrne was only 17 when her friend Denise was raped and murdered by a mysterious assailant who also brutally beat their chum Carly and left her for dead. Carly sunk into a permanent vegetative state, and the assailant's identity remained unknown. Flash forward ten years: Kate is a star student at London's Royal Academy of Dramatic Arts and has been tapped for a lead role in a play about the Brontë sisters headed for Broadway. She's hesitant, not wanting to return to America, but her glamorous roommate, Xenia Leyburn, persuades her to think it over at the stately Yorkshire home of Xenia's sister-in-law Verity, Lady Hawes. Much talk ensues about stately homes in general and the Brontës in particular—in fact, Leyburn Hall is not far from the very moors they once walked. In due time, a psychic housekeeper divines that something is troubling Kate, who cannot forget the attack, no matter how pleasant her surroundings. She drifts around the manse, meeting countless other relatives and servants, and basically holes up to die, to sleep, perchance to . . . to quote from plays safely in the public domain for centuries, namely, Hamlet. Bradford even has her heroine spout the famous soliloquy a few times, but that's about it for theatrical authenticity. Eventually, after some gentle prodding by Xenia, Verity, and the spooky housekeeper, Kate decides to accept the Emily Brontë role and return to New York. Despite bewildering onstage flashbacks, evidently caused by post-traumatic-stress syndrome and survivor's guilt, she visits Carly faithfully. Lo and behold, her friend miraculously snaps back into full consciousness after ten years, and the murderer is soon brought to justice.
Bradford's chatterbox style and cast of thousands create nothing but confusion, but her fans probably won't care.Pub Date: March 27, 2001
ISBN: 0-385-50140-4
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
IN THE NEWS
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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