For the fans, their numbers also legion.
The Hartes again.
And their numbers are legion—in fact, no fewer than 53 names are featured in the genealogy upfront, not including Evan Hughes, heroine of Emma’s Secret (2003) and an American twig of the Harte family tree. Now dwelling in London, lovely Evan lives and breathes retail, just like long-dead Emma Harte, the plucky shopgirl who started it all. Now that Evan has her dream job as an assistant to Linnet O’Neill, Emma’s great-granddaughter, she’s planning a future with her true love, Gideon Harte, Linnet’s cousin and a newspaperman. Linnet, though, has other things to worry about after she fields a frantic phone call from her half-sister Tessa—Adele, Tessa’s precious little girl, has disappeared! Has Mark Longden, Tessa’s estranged husband, kidnapped the child? The cad. Is he after (gasp!) the Harte money? Billions are at stake, and, yes, Adele may be in danger as well. When the clan gathers to discuss the matter, one quiet voice of dissent is raised: Evan wonders whether Adele was in fact taken by a pedophile. Jack Figg, ace investigator, wonders ditto. Carefully modulated anguish sets the tone: Tessa presses a hand to her mouth. Mummy will have to be told before American TV broadcasts the news worldwide! Perhaps it’s just as well that Mummy, otherwise known as Paula O’Neill, director of Harte’s department store in Knightsbridge, is in New York, musing on the cityscape and recapping the legacy of Emma Harte for the umpteenth time, not to mention the family’s power, immense wealth, and ineffable sense of privilege. Yet not even all those wonderful things can stop history: it seems terrorists have flown planes into the World Trade Center. Newspaperman Gideon sees it on CNN and is suitably aghast. But back to the plot: Evan’s dear ones are about to find out that everything is not what it seems, and the revelation of still more family secrets is looming. And—good heavens!—what about Adele?
For the fans, their numbers also legion.Pub Date: Jan. 4, 2005
ISBN: 0-312-30704-7
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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