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AFTER NAMING THE ANIMALS

A poetic chiaroscuro of grief over a planet and society in peril.

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Ungar’s latest collection of poetry ponders time, fauna, and mortality.

Human beings have never lived longer than they do now, and they’ve never spent so much of their lives worrying about aging—often at the expense of what else time takes away. The speakers in Ungar’s poems are largely fixated on time and its related topics: memory, change, and most pointedly, loss. Rather than exalt in the wisdom one accrues by living, many of the works here lament the havoc that our species has wreaked on the planet and what could disappear as a result. The opening section, “Shattered Vessels” is bleak, treading into the psychological effects of the Covid-19 pandemic and human hubris. “What to do with this dread?” she writes in “Average Monkey,” a poem about human waste killing various species and human beings’ inability to see the true scale of the world and “Take the long view.” Ungar ushers readers into this perspective in the book’s middle section—a collection of elegies for endangered species that range from Cuban hummingbirds to chameleons to blue sea dragons. Although these poems have a clear tone of reverence, there’s also quiet fury; these are not the lilting narratives of David Attenborough, but condemnations of human destruction. Earth lost 22 species in 2021, one poem points out: “They were our little sisters and brothers / whether we ever met or called their names.” Some of Ungar’s most visceral work honors these often-obscure creatures and their legacies. The book’s closing section shifts its focus back to homo sapiens and its latent cruelty. The poems feature slivers of calm and hope in small acts of kindness and, curiously, a sense of relief in realizing that the planet will go on after humans are gone.

A poetic chiaroscuro of grief over a planet and society in peril.

Pub Date: June 1, 2024

ISBN: 9781944585679

Page Count: 98

Publisher: The Word Works

Review Posted Online: June 11, 2024

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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