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WHISTLE ME HOME

An unusual look at love from Wersba (You'll Never Guess the End, 1992, etc.), whose upbeat, idiosyncratic explorations of happily-ever-after in such novels as Fat, A Love Story (1987, o.p.) finds a more sorrowful path here. Noli, a skinny, boyish girl, constantly fights with her mother, who would like her to appear more feminine. When angelic- looking, super-athletic, erudite TJ enrolls in her school, Noli is surprised at his bestowal of near-instant friendship on her. Their bond runs deep: He is forthright about his love for her, and about his disapproval of her budding alcoholism. Noli wants their relationship to be more physical, but TJ seems content, and only when an attempt to seduce him fails does she allow herself to know the truth: TJ is gay, and is—under parental pressure- -attempting to lead a straight life. Their split is violent and permanent: Several months later, Noli has a careful, cordial encounter with TJ, who longs to remain friends, but she cannot- -hers is a passionate love, not a platonic one. The encompassing emotions that complicate Noli's feelings for TJ run true, even while aspects of this graceful story are more burdensome than enlightening. Noli needs no drinking problems nor family troubles in her background to fall in love with TJ; readers will love him, too, even as they realize the reason he holds himself gently aloof. This isn't a perfect story, but its characters are perfectly human, and Wersba makes poetry of the arrival of unbidden love. (Fiction. 13+)

Pub Date: March 1, 1997

ISBN: 0-8050-4850-2

Page Count: 108

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1997

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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