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CAGNEY & LACEY…AND ME

AN INSIDE HOLLYWOOD STORY OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BLONDE

The audience for this long-winded but well-meaning memoir will consist of TV-biz nerds and Cagney & Lacey devotees.

A memoir for hardcore fans of Cagney & Lacey, penned by its former producer.

From 1982 to 1986, the acclaimed TV series was one of CBS’s prime-time anchors, garnering huge audiences, critical plaudits and numerous awards. Producer Rosenzweig was there from the beginning to the bitter end. The author adored the show; it was his baby, and he made certain that everything about it–the writing, acting, casting and costumes–met with his exacting standards. His love for the show was so enduring that more than 20 years after it was cancelled, he was compelled to share the entire experience in a lengthy memoir. Though the author’s heart is in the right place, the book is detailed to the point of tedium: Each battle with the network, financial negotiation, encounter with the actors and the writing staff is related in painful detail. The book is written in bite-size, episodic chapters, which makes the narrative uneven, and the prose is often clumsy–“Scoff and titter are not commonplace verbs in my vocabulary. They are the only terms I can conjure to portray the behavior to which I felt I was being exposed.” Readers won’t begrudge Rosenzweig for sharing his moment in the sun with the TV-watching public. His passion for the show and television in general is palpable, and this book might well inspire budding producers to follow their aspirations.

The audience for this long-winded but well-meaning memoir will consist of TV-biz nerds and Cagney & Lacey devotees.

Pub Date: Dec. 26, 2006

ISBN: 978-0-595-41193-2

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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