by Barney Saltzberg ; illustrated by Barney Saltzberg ‧ RELEASE DATE: Sept. 10, 2024
Utterly delightful and beautifully designed.
In this collection of humorous poems, Saltzberg examines the nature of dogginess from nose to tail.
Many of the book’s entries adopt the narrative voice of the dogs themselves. In “My Nose Knows,” a canine describes its renowned sense of smell to its human: “Like when you’re in the kitchen / and I’m sleeping down the hall, / if you eat a little snack / I smell it through the wall.” The poem’s upbeat last lines cleverly explore a familiar doggy trait: “When I meet another dog (you might think we’re nuts) / the proper way we say hello / is smelling other butts!” Alternate rhyme schemes predominate, as in “Slowing Down,” about an older dog: “She was always exploring outside in the yard. / Now she curls up on the rug. / She has always been cuddly. / Now we have more time to hug.” A solitary haiku, “Haikoodle,” pictures an orange-collared black pooch sitting in an armchair, striking a “Who, me?” air. “Doodle in my chair / There’s no room for me to sit / Bothers me a bit.” The metaphorical description of dog drool in “Slow-Motion Drip” alone makes this work a must-have. Saltzberg’s hilarious spot illustrations deftly contrast simple black line drawings with textures that convey a panoply of fur colors. Small color bursts are reserved for accessories such as collars and chewed socks. A final poem, narrated by “the superior pet,” portends a feline companion volume.
Utterly delightful and beautifully designed. (Picture book/poetry. 4-8)Pub Date: Sept. 10, 2024
ISBN: 9780823456390
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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