by Barrett Swanson ‧ RELEASE DATE: May 18, 2021
Intelligent, well-informed essays from a promising if occasionally pedantic writer.
A probing essay collection that tackles relevant issues emerging in America’s current shaky political and social climate.
In “Consciousness Razing,” Swanson recounts his experience at a “manhood-confirming” adventure retreat hosted by a men’s encounter group called Evryman. As the weekend’s activities triggered strong emotional reactions, the author questioned the intent of such movements. “The relevant question for me…is whether this torrent of emotion is a meaningful intervention into the debate about masculinity,” he writes, “whether Evryman is treating the symptom or the cause.” In his account of his time at a convention for fans of The West Wing, Swanson reflects on the renewed interest in the series as a signal of a nostalgic yearning for its idealistic portrayal of governance. “Whereas Obama followed the rules of Aristotelian drama and thus resembled a president from Aaron Sorkin’s imagination,” writes the author, “Trump obeyed the anti-narratives of reality television, where what matters most is not coherence or logical progression, but chaos and titillation.” The title essay follows Swanson’s visit to a psychic convention in upstate New York, a journey prompted by the experiences of his brother, who had suffered a brain injury that caused him to experience psychic visions. This is one of the more compelling and moving pieces, as the author delves informatively into the dynamics of the sibling relationship and reflects on his struggles with depression. With the exception of a couple pieces that miss the mark in their humorous aim—e.g., visiting the massive Noah’s Ark waterpark in Wisconsin—these are mostly tuned-in, absorbing essays. However, the author sometimes relies too heavily on affected wordplay that doesn’t always match the subject matter. In comparison to the crisp prose of a few contemporaries—Jia Tolentino and Zadie Smith come to mind—Swanson’s overly mannered style can be distracting. If he can rein in the tendency to overwrite, this could be the start of a fruitful career.
Intelligent, well-informed essays from a promising if occasionally pedantic writer.Pub Date: May 18, 2021
ISBN: 978-1-64009-418-5
Page Count: 304
Publisher: Counterpoint
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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New York Times Bestseller
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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