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DARK MIRROR

Like All My Enemies (2009), average for this distinguished series. But Kathy’s fans, presented with two installments of her...

Researching eminent Victorians can be dangerous, DI Kathy Kolla realizes; you can end up as dead as they are, and by the same means.

Titian-haired Marion Summers, a doctoral student in European literature, collapses one morning on arriving at the London Library. The cause of her death, according to pathologist Sundeep Mehta, was arsenic, a poison so seldom used by contemporary criminals that it seems a relic from the 19th century. Investigating possible sources of the poison, Kathy begins to see that Marion’s demise echoes in disturbingly literal ways the subject of her research: the interlocking relationships among Dante Gabriel Rossetti and other Pre-Raphaelite poets and painters—as well as, it turns out, some of their murderous Victorian contemporaries. Although Marion’s brutish stepfather Keith Rafferty and creepy stalker Nigel Ogilvie inject a note of tawdry modernity into the proceedings, the truth behind her death seems related to her academic connections to Dr. Anthony da Silva, her dissertation supervisor, and biographer Sophie Warrender, for whom Marion worked as a part-time researcher. As usual, Maitland delights in revealing layer upon layer of skullduggery. While Kathy’s detective work slowly reveals “a murderess acting as a kind of hidden agent within the Pre-Raphaelite circle,” Marion’s case, first classified as murder, later seems more likely a suicide until a second, virtually identical death points the finger at murder once more.

Like All My Enemies (2009), average for this distinguished series. But Kathy’s fans, presented with two installments of her adventures in two months, can hardly complain.

Pub Date: Oct. 6, 2009

ISBN: 978-0-312-38399-2

Page Count: 320

Publisher: Minotaur

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE LIFE WE BURY

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...

A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.

Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk. 

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.

Pub Date: Oct. 14, 2014

ISBN: 978-1-61614-998-7

Page Count: 300

Publisher: Seventh Street Books

Review Posted Online: Oct. 8, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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