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THE RUBY IN HER NAVEL

Unsworth’s luscious history is ripe territory for a dialogue on the ever-present struggle against intolerance, a seemingly...

A richly imagined novel of the Middle Ages, filled with questions of race, God and fidelity, from the Booker Prize–winning Unsworth (The Song of the Kings, 2003, etc.).

In 1149, King Roger ruled a Sicily of surprising diversity—wrestled from Arabs not 50 years prior, the island was a peaceable home for Jews, Moslems, Greeks, Lombards and the newly conquering Christian Normans. Praised for his shrewdness in keeping this cultural mix in harmonious balance, King Roger is now bending to a certain pressure, one that is demanding a singularly Christian Sicily. Moslems are losing land grants and becoming serfs on their own property; Jewish cemeteries are being desecrated; and the sovereign’s Greek mosaic artisans are being replaced by inferior Normans. But in the beginning, this is all beyond the scope of Thurstan Beauchamp, assistant to Yosuf Ibn Mansur, chief financial officer to the King. Thurstan, an innocent and a bit of a dandy, had his dreams of knighthood crushed when his father entered a monastery, taking with him all of Thurstan’s inheritance. Thankfully, Thurstan, adept at languages, was plucked from the King’s guard by Yosuf, who is grooming Thurstan for a career of back-room power. Sinister forces, humiliated by their defeat in the last crusade, have plans for Thurstan and his potential to betray Yosuf in the name of Christendom. In the various intrigues of state (negotiating with revolutionary Serbs, delivering money to an assassin, spying for Yosuf), Thurstan encounters his childhood sweetheart Alicia, now a rich widow back from Jerusalem and promising Thurstan marriage, a knighthood and a place in society. While he dreams of the pure Alicia, he beds the beautiful Nesrin, an incomparable dancer he procured for the King. Yosuf tutors Thurstan on the necessity of suspicion—but too late, for soon, Thurstan becomes an expendable pawn in an international power struggle. Told that Alicia has been kidnapped, Thurstan is asked to sign a declaration of treason against Yosuf, forced to choose between his own faith and ideals, and another’s.

Unsworth’s luscious history is ripe territory for a dialogue on the ever-present struggle against intolerance, a seemingly inevitable human frailty.

Pub Date: Oct. 17, 2006

ISBN: 0-385-50963-4

Page Count: 416

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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