by Basil Davidson ‧ RELEASE DATE: Feb. 1, 1994
A mixed bag of 20 essays and lectures (most reprinted from The New Statesman and other journals) by Africa-expert Davidson (The Black Man's Burden, 1992, etc.), selected by the author in commemoration of his 80th birthday. The best essays here were chosen by Davidson because, he says, they offer ``a line of thought that can illuminate one of the truly liberating achievements, cultural achievements, of the twentieth century: the reinstallation of Africa's peoples within the cultures of the world.'' In ``The Search for Africa's Past,'' for instance, the author discusses not only the seminal role that the West African gold trade played in creating the prosperity of ``late- medieval Europe,'' but also the many kingdoms that existed throughout Africa in precolonial times—kingdoms that Davidson thinks would have evolved into strong nation-states if the Europeans had allowed them to do so. Elsewhere, in ``Africa and the Invention of Racism,'' Davidson points out how, in the late 17th century, attitudes toward Africa changed for the worse: Before then, he explains, Europeans ``believed that they had found forms of civilization which were often comparable with their own, however variously dressed or mannered.'' But other essays included here- -especially those on South Africa, Angola, and the African peasantry—seem not only dated but often wrong. In particular, ``Southern Africa: Progress or Disaster?,'' written shortly before Nelson Mandela was released, suggests outcomes for South Africa far removed from what actually took place. Moreover, the laying of blame by Davidson (a committed socialist) on capitalism for all of Africa's ills is less than persuasive, especially in ``Nationalism and Africa's Self-Transformation,'' which faults the African nationalists who ``hoped to build independent capitalist systems based on deepening class stratification and bourgeois hegemony,'' as well as the colonialists who, he says, wished to establish a ``subcapitalist dependency.'' Davidson has his biases, and they show—but so, too, do his great affection and goodwill for a continent too often maligned or ignored.
Pub Date: Feb. 1, 1994
ISBN: 0-8129-2278-6
Page Count: 416
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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