A handsome compendium on the rise of Korean cinema.
K-movies are riding the Korean wave, and this account shows how the peak was reached.
There was a great deal of surprise when the Korean film Parasite won Best Picture at the 2020 Oscars, but, says Meiresonne, there shouldn’t have been. He explains that the Korean film industry has a long history, with many successes and setbacks. An Asian cinema specialist, he is well placed to tell the story, and a large part of this book examines the development of the form in Korea. It has not been an easy ride, with the industry often caught up in the country’s turbulent politics. The long Japanese occupation of Korea (1910-1945) restricted the types of films that could be made. After the Korean War, the focus was on the domestic market, and many excellent productions emerged, with talented directors seeking to tell the national story. Some aspects of Korean culture did not play well in foreign countries, and it was not until the 2000s and the rise of the hallyu (“Korean Wave”) that directors found the right formula. Movies like Oldboy, The Handmaiden, Train to Busan (and its sequel Peninsula), and the historical blockbuster The Admiral: Roaring Currents won a global audience. Meiresonne has a good time tracking all this, but there are some surprising gaps in the narrative. The section on sci-fi movies—a big part of the modern industry—is disappointingly small. Nevertheless, Meiresonne offers some interesting insights into the future, discussing collaborative projects and the growing role of streaming. The book includes plenty of movie stills, posters, and photographs that help make it an entertaining, informative read.
A handsome compendium on the rise of Korean cinema.Pub Date: Jan. 14, 2025
ISBN: 9780762489015
Page Count: 352
Publisher: Black Dog & Leventhal
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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