The lion atop the Eiffel Tower, mane blowing in the wind, captures the essence of this artful, whimsical delight.
This oversized book about a bored young lion who visits Paris to find “a job, love and a future” is worth every bit of paper and ink.
The book opens vertically, with sparse, large-type text on each top page and complex artwork below. The sturdiness of the paper allows young hands to turn pages repeatedly and to pore over each carefully rendered illustration, a lion’s share of mixed media that includes architectural renderings of Parisian hot spots, tiny photographs of people and, on every page, the large protagonist, sporting a huge bushlike mane and a great variety of engagingly human expressions. As the lion roams Paris, he is unhappy about the lack of attention he draws, even when he roars. He hits rock bottom when a rainstorm turns him “grey and shiny like the roofs around him.” But urban apathy eventually subsides, and love comes in the form of a young girl’s adoring eyes, which follow him. (Only the youngest of viewers will lose the joke: That lover is the Mona Lisa.) The lion soon finds his job and his future, with vocabulary that refuses to condescend: A plinth in the middle of a square offers him his perfect vocation. Children will feel more sophisticated than the lion, who makes such mistakes as confusing baguettes with swords.
The lion atop the Eiffel Tower, mane blowing in the wind, captures the essence of this artful, whimsical delight. (Picture book. 3-8)Pub Date: March 4, 2014
ISBN: 978-1-84976-171-0
Page Count: 32
Publisher: Tate/Abrams
Review Posted Online: Jan. 8, 2014
Kirkus Reviews Issue: Jan. 15, 2014
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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