Will reach both small and older readers struggling to conceal, manage, and express complicated inner worlds.
Gisele, a miraculous girl born as clear as a windowpane, must live with her every emotion plain for the whole village to see in this import, translated from French.
Flat matte artwork (a combination of paint and collage) creates Gisele’s provincial town “near the cities of Florence and Bilbao” as a jumble of narrow buildings and people while translucent vellum paper and delicate blue linework relay her fragility and transparency. With Gisele’s thoughts “on display [as if] in a shop window,” she sometimes grows despondent, even furious. Readers, like the townspeople, might stare at Gisele’s flat features, her helmet-shaped head, and her nudity. But once they accept this fable’s premise, they quickly encounter wrenching, interesting questions about emotions, communication, public opinion, and acceptance. Both sensitive young people who broadcast their feelings and those who clutch their emotional cards tightly to their chests will reel at the overwhelming notion of having one’s inner world exposed, revealed for others to dissect, criticize, or coddle. “Aren’t you ashamed to show such awful things, Gisele?” a monstrous, distorted crowd of clothed villagers sneers. Gisele’s pain, articulated by double-page spreads of her wide, pale blue face shedding a multifaceted crystal tear through powerful vellum page turns, will feel acute and familiar to adolescents.
Will reach both small and older readers struggling to conceal, manage, and express complicated inner worlds. (Picture book. 6-12)Pub Date: Nov. 12, 2019
ISBN: 978-1-59270-303-6
Page Count: 52
Publisher: Enchanted Lion Books
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
Funny and endearing, though incomplete characterizations provoke questions.
An isolated class of misfits and a teacher on the edge of retirement are paired together for a year of (supposed) failure.
Zachary Kermit, a 55-year-old teacher, has been haunted for the last 27 years by a student cheating scandal that has earned him the derision of his colleagues and killed his teaching spirit. So when he is assigned to teach the Self-Contained Special Eighth-Grade Class—a dumping ground for “the Unteachables,” students with “behavior issues, learning problems, juvenile delinquents”—he is unfazed, as he is only a year away from early retirement. His relationship with his seven students—diverse in temperament, circumstance, and ability—will be one of “uncomfortable roommates” until June. But when Mr. Kermit unexpectedly stands up for a student, the kids of SCS-8 notice his sense of “justice and fairness.” Mr. Kermit finds he may even care a little about them, and they start to care back in their own way, turning a corner and bringing along a few ghosts from Mr. Kermit’s past. Writing in the alternating voices of Mr. Kermit, most of his students, and two administrators, Korman spins a narrative of redemption and belief in exceeding self-expectations. Naming conventions indicate characters of different ethnic backgrounds, but the book subscribes to a white default. The two students who do not narrate may be students of color, and their characterizations subtly—though arguably inadequately—demonstrate the danger of preconceptions.
Funny and endearing, though incomplete characterizations provoke questions. (Fiction. 8-12)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-256388-0
Page Count: 288
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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