by Beatrice Alemagna ; illustrated by Beatrice Alemagna ; translated by Jill Davis ‧ RELEASE DATE: Sept. 12, 2017
An effective argument for unplugged exploration, submitted through startlingly beautiful words and pictures.
Depressed by another rainy weekend in the country cabin, a shaggy-haired, bespectacled, white child wallows on the sofa, numbing malaise with a hand-held video game.
Mom finally turns the kid out-of-doors, but the gaming device is stealthily pocketed on the way. The narrator (whose gender remains ambiguous) holds the game “tightly,” hoping “it would protect me from this boring, wet place.” A stumble launches it into icy waters and the child into the forest without technological armor. Marvelously murky illustrations transmit the myriad textures, shapes, and density of the natural world under a mist of rain. Linear and circular forms abut one another, edging and overlapping, placing readers amid smooth stones, coned mushroom caps, button-y buds, and round leaves as well as driving rain, spiky branches, and prickly pine needles. The child’s phosphorescent blaze orange coat glows amid the mossy greens of the forest. Alemagna’s captivating artwork magnifies the forest’s magic, while her language, via Davis’ translation, offers an authentic pre-adolescent voice (“This COULD NOT be happening to me!”) that’s eventually left almost breathless by nature: “I felt a sense there was something special close by. That I was surrounded.” The child’s ultimate decision to keep her outdoor awakening private once home will resonate with young people just making their own discoveries and finding them precious.
An effective argument for unplugged exploration, submitted through startlingly beautiful words and pictures. (Picture book. 6-12)Pub Date: Sept. 12, 2017
ISBN: 978-0-06-265760-2
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: May 30, 2017
Kirkus Reviews Issue: June 15, 2017
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by Jeff Kinney ; illustrated by Jeff Kinney ‧ RELEASE DATE: Nov. 5, 2019
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
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SEEN & HEARD
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: April 5, 2016
Thought-provoking and charming.
Awards & Accolades
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Best Books Of 2016
New York Times Bestseller
A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.
When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.
Thought-provoking and charming. (Science fiction/fantasy. 7-11)Pub Date: April 5, 2016
ISBN: 978-0-316-38199-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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