by Beatrice Alemagna ; illustrated by Beatrice Alemagna ‧ RELEASE DATE: March 24, 2020
A good idea philosophically and artistically—but tanked by weak execution.
An exploration of things that are temporary.
“In life, / many things go away. / They transform, / they pass by.” Each double-page spread holds a special sheet, attached in the gutter, that’s halfway between transparent and translucent. This sheet overlays first the right-hand page, then the left; it features black markings (different on every spread) that shift meaning as it turns. In one fine example, to demonstrate that “sleep always departs,” heavily drawn, closed eyelids move from overlaying a child’s face to a stuffed animal’s. Unfortunately, many spreads are less successful. All the primary illustrations pale significantly when viewed through the middle sheet while the sheet’s black drawings are particularly bold; consequently, flipping the sheet leftward often fails to hide or repurpose the black marks. Musical notes seemingly meant to disappear into a plant (“Music flies away”) are so dark—and the underlying illustration so paled by the flip-over sheet—that the notes don’t visually integrate into the plant but hover nonsensically. Tears drop from a child’s eyes, but instead of blending into a cat’s fur when the sheet flips, they sit confusingly overlaid on the cat. The conceit’s weak implementation leaves little room for attention to Alemagna’s heavy oil paintings with faces styled like children’s art, nor to the otherwise lovely catalog of things that are (or can be) fleeting: injury, bubbles, bad moods, hair placement, steam from a teacup.
A good idea philosophically and artistically—but tanked by weak execution. (Picture book. 4-7)Pub Date: March 24, 2020
ISBN: 978-1-4197-4482-2
Page Count: 40
Publisher: Abrams
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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