Too didactic to be much fun but certainly pretty.
Find out why mermaids have tails.
A dark-skinned boy named Theodore rows his boat around a pastel-colored world filled with anthropomorphic sea creatures. He brings a hefty selection of fish back to his skylit home so he can watch “the way their scales shimmer…in the sunlight like jewels.” Bright flecks in the illustrations provide a dreamy, enchanted quality—the book’s biggest strength. When Theodore captures a mermaid—a tiny humanoid creatures with legs, surrounded by a clear shell—a booming voice tells him that “she belongs to the ocean,” but he ignores it. Calling the mermaid Oceanne, he drops her into a suffocating, filterless fishbowl. As the mermaid sickens and her shell breaks, scenes darken and lose saturation. If an omnipotent voice hadn't already broadcast the story’s moral, Theodore and readers might now put it together themselves in a satisfying exercise of agency and meaning-making. Instead, the loud voice repeatedly insists that Oceanne “belongs to the ocean” until Theodore finally brings her back. The sea is subdued and empty, but eventually fish after fish reappears, each giving Oceanne a sparkly scale until she revives and grows a tail. “All mermaids have tails,” the narrative declares, “to remind us of something very important”: that animals belong in the wild. While it’s an important lesson, the preachy narrative talks down to readers rather than engaging them.
Too didactic to be much fun but certainly pretty. (Picture book. 3-6)Pub Date: May 7, 2024
ISBN: 9780711295315
Page Count: 40
Publisher: Frances Lincoln
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
A wandering effort, happy but pointless.
The perfect book for kids who love dragons and mild tacos.
Rubin’s story starts with an incantatory edge: “Hey, kid! Did you know that dragons love tacos? They love beef tacos and chicken tacos. They love really big gigantic tacos and tiny little baby tacos as well.” The playing field is set: dragons, tacos. As a pairing, they are fairly silly, and when the kicker comes in—that dragons hate spicy salsa, which ignites their inner fireworks—the silliness is sillier still. Second nature, after all, is for dragons to blow flames out their noses. So when the kid throws a taco party for the dragons, it seems a weak device that the clearly labeled “totally mild” salsa comes with spicy jalapenos in the fine print, prompting the dragons to burn down the house, resulting in a barn-raising at which more tacos are served. Harmless, but if there is a parable hidden in the dragon-taco tale, it is hidden in the unlit deep, and as a measure of lunacy, bridled or unbridled, it doesn’t make the leap into the outer reaches of imagination. Salmieri’s artwork is fitting, with a crabbed, ethereal line work reminiscent of Peter Sís, but the story does not offer it enough range.
A wandering effort, happy but pointless. (Picture book. 3-5)Pub Date: June 14, 2012
ISBN: 978-0-8037-3680-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
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BOOK REVIEW
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