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A CERTAIN AGE

A certain age, acutely observed.

A tale of Manhattan society in the Jazz Age, spiced liberally with secrets and scandal.

Williams’ latest opens with a dispatch from “Patty Cake,” a jaded society reporter from a New York paper, covering a “Trial of the Century” in Connecticut. We don't yet know who's on trial, but two of the women in the courtroom that day take up the narration of events that led to this pass. Theresa, a 44-year-old Fifth Avenue socialite, and her lover, Octavian, 22, are surprised in the carriage house of her Long Island estate by her brother, Edmund Jay "Ox" Ochsner, who reveals his intention to marry 19-year-old Sophie Fortescue, youngest daughter of the so-called Patent King, an entrepreneur and inventor who made his fortune as his nickname suggests. The Fortescue millions will assure financial security for this pedigreed but cash-poor bachelor gadabout. There follows a retelling of Der Rosenkavalier for the Roaring '20s. Octavian, a World War I flying ace whose war wounds are mainly mental, is enlisted by Theresa to act as cavalier for Ox, delivering a rose-shaped engagement ring to Sophie at her father’s unassuming home on 32nd Street. The two young people are smitten, but Sophie agrees to the engagement to please her father, who wants a traditional family life for her, although her real desire is to exercise her own mechanical aptitude. Meanwhile, Theresa learns that her marriage of convenience is coming to an end—her husband wants to marry his mistress. Now the way is clear to wed Octavian, except that the cavalier’s affections have shifted. Sophie is repelled by Ox’s dissolute, gin-swilling ways, his peppermint hair oil, and his boorish attentions. Testimony at trial recalls a Greenwich, Connecticut, house once occupied by a mechanic, who disappeared with his two daughters after his wife was found murdered. Chapters oscillate in time, ending on cliffhangers that can be jarring, but this novel is mainly propelled by its period-perfect prose style.

A certain age, acutely observed.

Pub Date: June 28, 2016

ISBN: 978-0-06-240495-4

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: May 21, 2016

Kirkus Reviews Issue: May 15, 2016

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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