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THE WICKED CITY

Even for a series launch, too much is left dangling.

The first volume of Williams’ planned series introduces two women who occupy the same Greenwich Village apartment seven decades apart.

In a 1998 frame for the main Roaring ’20s story, Ella, a forensic accountant by trade, has just left her investment-banker husband after catching him with a prostitute. She moves into a studio apartment, 4D, at 11 Christopher St. One of her first encounters, in the basement laundry room, is with Hector, who shares her interests and her talent for music. In the same laundry room, late at night, Ella hears jazz riffs seeping through the wall—odd, because the adjacent building is unoccupied. Cut to 1924, when Ginger Kelly, a typist who fled her Appalachian village for New York after her stepfather sexually assaulted her, occupies the same building, in that era a boardinghouse, and the same flat. Ginger frequents the neighboring cellar speak-easy (which features a jazz band) and, after being swept up in a raid, meets handsome Prohibition agent Oliver Anson. Returning briefly for her mother’s funeral, Ginger observes that her stepfather, Duke Kelly, once a feckless barfly, has transformed his own fortunes and those of Ginger’s hardscrabble hometown, River Junction, Maryland, with his bootlegging operations. The G-men are hot on Duke’s trail, and Ginger is enlisted to act as a double agent, delivering packages for Duke and reporting to Anson. Will Anson prove to be as upstanding as he seems, and as hunkish? Very intermittently we return to Ella, who, after rebuffing her husband’s apologies and getting in trouble with the Securities and Exchange Commision, is revealed to be a Schuyler, that clan of Manhattan blue bloods that has anchored so many Williams novels. The parallels between the two heroines are underdeveloped, and Ginger’s story is stalled by excessive verbiage designed, apparently, to showcase the author’s fluency in Runyon-speak.

Even for a series launch, too much is left dangling.

Pub Date: Jan. 17, 2017

ISBN: 978-0-06-240502-9

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 6, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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