Another warmhearted, carefully crafted, if not especially original story from Campbell (Singing in the Comeback Choir, 1998,...
An Imitation of Life saga of two cleaning ladies, one black, one white.
Newly arrived in postwar Los Angeles from rural Texas, Hosanna Clark befriends Holocaust survivor Gilda Rosenstein. Both women toil for subsistence wages at a fleabag hotel, their friendship hampered by Gilda’s limited English and Hosanna’s suspicion of white people. Hosanna is impressed, however, by Gilda’s fragile strength, and Gilda, drawn to Hosanna’s hard-working cheerfulness. She concocts a special lotion for Hosanna’s ashy skin, and Hosanna quickly realizes its potential. The women scrimp and save to bottle the lotion, which Hosanna peddles to friends and fellow churchgoers, eventually going door-to-door. Gilda handles the business side, opening a checking account and banking their profits. Hosanna is heartbroken when the account is cleaned out and Gilda disappears. But she provides for her daughters Matriece and Vonette before a flash-forward reveals that Hosanna has died, although she remains a beneficent ghostly presence to Matriece, an up-and-coming marketing executive at Gilda’s million-dollar company, in charge of Brown Sugar, a new cosmetics line for black women. Gilda, now in her 70s, still feels guilt about Hosanna—and the bank account her first husband forced her to close. She doesn’t know that Matriece is Hosanna’s daughter, but she’s impressed by the young woman’s savvy and drive. Matriece, meantime, must choose between Montgomery, scion of a wealthy, influential black family, and Sam, a born-again ex-con who turns out to be the father of Asia Pace, a troubled young hip-hop diva who can’t decide whether she wants to be the spokesmodel for Brown Sugar. Eventually, Hosanna’s old friend and lover, a barbecue-restaurant entrepreneur, will uncover the facts behind Gilda’s long-ago betrayal—and threaten—to reveal all.
Another warmhearted, carefully crafted, if not especially original story from Campbell (Singing in the Comeback Choir, 1998, etc.).Pub Date: Aug. 6, 2001
ISBN: 0-399-14784-5
Page Count: 640
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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