Children who are familiar with the traditional story will find this a fresh, funny alternative.
The traditional story of “The Three Little Pigs” is recast with pug puppies instead of pigs and a malevolent, white cat in the role of the Big, Bad Wolf.
Digitally composed illustrations use photographs of the appealing pugs imposed on illustrated backgrounds, using a contemporary palette of pastel shades and effective use of white space. The Big, Bad Cat accessorizes with magenta 10-gallon hat and boots, and her outsized personality is conveyed both through her ferocious appearance and apt textual descriptions: “What a sight! Sharp, scratchy claws, a terrible twitching tail, and mean beady eyes.” The pugs, Bubbles (straw house), Bandit (stick house), and Beauty (brick house), set off to build their own homes, carrying backpacks of food that entrance the cat. She uses a hair dryer to blow down the straw house, a leaf blower to destroy the house built of sticks, and a huge fan and a jumbo jet to attack the sturdy brick house. The action concludes when the cat’s owner calls her home, followed by the surprise introduction of new additions to the cat’s family home—three familiar pug puppies. The book’s design includes speech balloons and display type integrated into the text for emphasis, as in the curlicue typeface chosen for the cat’s owner’s doting blandishments. The pugs are undeniably appealing with their worried facial expressions, and the cat is crafty and amusing rather than truly scary.
Children who are familiar with the traditional story will find this a fresh, funny alternative. (Picture book. 4-8)Pub Date: March 1, 2017
ISBN: 978-1-6801-0043-2
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Dec. 20, 2016
Kirkus Reviews Issue: Jan. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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