Patchwork pieces of crime, intrigue, and romance fall into place perfectly.
This Philadelphia police procedural serves as a backdrop for a romance between two broken but highly attractive detectives.
Detective Alexandra “Lexi” Danvers “was hollow inside...in a way no amount of sex or whiskey seemed able to fill.” That doesn’t stop the feline-eyed beauty from trying. Because of self-destructive behavior that includes getting served too many drinks and hooking up regularly at “cop bars,” her reputation on the force is that she’s unfit for duty in spite of her good work record. Her train-wreck conduct began three years ago when her husband, Robert, a police officer, chose suicide after a failed investigation into the kidnap and murder of 8-year-old Donald Palmer. Arthur Book’s confession to that crime was thrown out due to allegations of police coercion. Book walked free and successfully sued the city. Now, Xavier Knight, Lexi’s sexy new partner (“He’s got a great ass”), has a hidden agenda. Police Capt. Jack Barrett brought Knight from the Baltimore police force to Philadelphia to evaluate Lexi’s fitness. Knight also has a backstory that led to a damaged life. As soon as the two detectives are partnered, another 8-year-old boy is kidnapped and murdered, and Book starts tormenting Lexi. In addition to looking for the killer, shielding Lexi from Book, and keeping his mission to evaluate his partner a secret, Knight finds himself falling in love with her, as she does with him. As good as Flade’s storytelling is, the murders and suicides (yes, plural) are upsetting to read about, but they are not presented with over-the-top gore. And the flirtations that lead to something deeper balance the darkness of the crimes. In addition, the police investigation feels authentic. For example, Knight notes that the kidnapper/killer hunts in neighborhood parks but not in the crowded parts of the city because the snatch may be fast and anonymous there, “but the escape is near impossible.” There’s often welcome humor in the patter between the two detectives, as when Knight says: “For crying out loud, Danvers, don’t talk with your mouth full. And use a fork.”
Patchwork pieces of crime, intrigue, and romance fall into place perfectly.Pub Date: Nov. 30, 2021
ISBN: N/A
Page Count: 253
Publisher: Tirgearr Publishing
Review Posted Online: March 30, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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