THE BRIGHT SIDE SANCTUARY FOR ANIMALS

When Ariel Siskin hears about the fire at the Bright Side animal shelter in Kansas, where she grew up, she knows she has to go home to help her mother, whom she’s neither seen nor spoken to for six years.

Mandelbaum’s debut novel—following Bad Kansas (2017), a book of short stories—is a warm-hearted tale centered around the animal sanctuary “where there’s love enough for everyone.” Love for the assorted dogs, mules, pigs, and other beasts certainly abounds there, but for everyone else it’s been a struggle. Mona Siskin founded the shelter with an inheritance from her father, but her passion for the place came at the cost of her marriage to Daniel, a poet, who left one day without saying goodbye. Their daughter, Ariel—“the weird, quiet girl whose mom hoarded animals”—had a hard time at school, befriended only by Sydney Fuller, another social misfit whom Ariel later unintentionally betrayed. Assisted by loyal, upright Gideon, Mona’s steadfast helper at the sanctuary and Ariel's first love, Ariel eventually left, too, to attend college, against her lonely mother’s wishes. Ariel didn’t say goodbye, either. Mandelbaum spends the greater part of her engaging but not completely resolved novel filling in this backstory and its cast of characters, including Dex, Ariel’s affable boyfriend; Joy, Gideon’s impossible-to-dislike girlfriend; Joy’s wealthy, kindly mother, Coreen; and the Fuller brothers, whose Trump sign provokes the act of theft that kick-starts those scant events taking place in the novel’s brief "present." Beyond the theft and arson (and the Trump angle), there are few sharp edges in this tale of misplaced feelings and misunderstood souls that is chiefly characterized by home, irresistible animals, and the forgiving of old rifts.

Mothers and daughters reunite, and dogs seal the deal, in a feel-good charmer.