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MATERNAL INSTINCT

A fever dream of family gone disastrously wrong.

A Florida man who’s lost his father opens his home to his stepmother. Nightmare complications ensue.

In the two years since Robert Deming succumbed to kidney disease, Althea Deming, his second wife, has been living in a group facility. Now that Hal Deming has moved back into the house where he grew up and refurbished a sumptuous suite worthy of his imperious stepmother, he and his wife and daughter are ready to welcome Althea into their household. Maybe “welcome” isn’t the best word, since Grace Deming instantly recoils at what she sees as her mother-in-law’s resentment of the arrangements they’ve made, and her 13-year-old daughter, Shyla, is soon grieving the effects of the lethal games that Althea’s cat, Ruth, plays with Shyla’s tortoise, Gonzo. For her part, Althea, who encouraged her husband to roam through Europe searching for Joan, the daughter who ran away from home when she was a teenager, keeps remembering or imagining conversations with Robert in which he confesses to having killed Clare, his first wife, in an episode that pays explicit homage to Rebecca. The seal is set on the dysfunctional family when Grace’s mother suggests that Hal and Grace take some time off together, leaving Althea and Shyla to fester with her in their absence. A series of increasingly dreamlike scenes leaves one person dead and the others at odds. Masterman’s most original addition to the neo-Gothic canon is the conviction that every member of this shattered family is suspicious of the others, and that they all have abundant justification.

A fever dream of family gone disastrously wrong.

Pub Date: Dec. 5, 2023

ISBN: 9781448311958

Page Count: 288

Publisher: Severn House

Review Posted Online: Sept. 21, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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