by Becky Michaels ‧ RELEASE DATE: Aug. 31, 2021
A delightfully vibrant tale of reluctant lovers reunited.
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In this Regency romance, two old friends warily consider giving love another try.
In this second volume of Michaels’ Linfield Hall series, following Lady August (2021), Louisa Strickland is content mostly to avoid scheming London in favor of managing her estate in the Kent countryside. “She was more than competent enough by herself,” readers are told, “so much so that she didn’t even employ a land steward.” As the novel opens, Louisa has only one worry: the well-being of her slightly foolish young sister, Flora, who’ll soon be making her society debut in London as an heiress with 30,000 pounds. Little does Louisa know that this very fortune will make Flora irresistibly attractive to the rakish Earl Charles Finch, who’s 20,000 pounds in debt (with the stern Duke of Rutley overseeing his account books and setting up a rigorous payment schedule) and badly needs to marry a rich heiress. This would be a perilous enough situation for the Strickland family women, but there’s an added wrinkle. Years ago, Finch and Louisa shared a brief and torrid moment, and both have tried to forget it ever since. Finch, readers learn, “hadn’t thought about Louisa Strickland in a long time, but just the idea of her red hair was enough to make his heart skip a beat.”
The author has devised a classic setup for a Regency love story of second chances. Longtime romance readers will feel very comfortable knowing exactly what to expect from the plot complications Michaels cooks up. Once the size of Flora’s dowry becomes widely known, debauched and impecunious lords of all kinds start swarming. When some of their attentions spill over to include Louisa, Finch finds himself in the awkward position of feeling protective about one sister even while he’s attempting to take advantage of another. The author skillfully manipulates these conflicting imperatives: Finch is entirely believable and very likable in her handling. And this is doubly true of Louisa, who not only doesn’t resemble her petite and delicate sister physically, but is a completely different kind of person emotionally as well, unconventional and fiercely independent. When one of her suitors, through a combination of guile and good looks, actually manages to tempt her, readers will feel a genuine sympathy for the plight of poor Finch, who by this point realizes that he has never stopped loving Louisa. Even comparatively late in the narrative, Louisa is still fighting her own version of this yearning, mainly on the grounds that she doesn’t want to sacrifice her independence. She “had no desire to become a countess, so attaching herself to the earl couldn’t possibly benefit her,” she thinks. “Why should she sign her life away to him?” This streak of self-sufficiency causes Louisa to put obstacles in the path of her own happiness, but it’s also a large part of what makes her such an intriguing character.
A delightfully vibrant tale of reluctant lovers reunited.Pub Date: Aug. 31, 2021
ISBN: 978-1-73514-015-5
Page Count: 360
Publisher: Mildred Press
Review Posted Online: Sept. 24, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Review Program: Kirkus Indie
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by Rebecca Yarros ‧ RELEASE DATE: Feb. 26, 2019
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
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Best Books Of 2019
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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by Tessa Bailey ‧ RELEASE DATE: Feb. 4, 2025
The forbidden romance trope fails because the conflict is so pedestrian.
A professional hockey player has feelings for the one woman he can’t have: his soon-to-be stepsister.
Sig Gauthier loves his job playing defense for the Boston Bearcats, and he’s proved himself a real asset to the team. When this season ends, he will renegotiate his mediocre, low-paying contract, one he accepted while injured and desperate for any team to sign him. When his father asks him to come to dinner to meet his new girlfriend, Sig decides to go, since it’s only a few hours’ drive to Darien, Connecticut, and he’s curious. On the way, his ancient truck breaks down, and he pulls into a country club parking lot where he meets Chloe Clifford, the most beautiful, alluring woman he’s ever seen. Chloe dreams of accepting a seat as a harpist at a conservatory in Boston; however, her wealthy, controlling mother wants her to stay in Darien. That night at dinner, Sig is surprised to find Chloe there—and when they discover their parents are planning to marry each other, they realize they can only be friends themselves. Sig encourages Chloe to come with him to Boston, where he rents her an apartment despite it being a massive financial burden. Several months pass. They long for each other, but studiously ignore their incendiary sexual chemistry and remain friends. When the press realizes that Sig’s biggest fan is his soon-to-be-stepsister, his new general manager tells him he must choose between Chloe or re-signing with the team. Everything rests on the premise that two people who meet as adults would be entering into a taboo, forbidden relationship because their parents are about to marry. Although Bailey does her best to sell it, the pretext keeping her characters apart is thin and underdeveloped. Chloe and Sig are wild for each other from the second they meet, which negates any attempt to create tension or conflict.
The forbidden romance trope fails because the conflict is so pedestrian.Pub Date: Feb. 4, 2025
ISBN: 9780063380783
Page Count: 320
Publisher: Avon/HarperCollins
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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