A RAKE LIKE YOU

In this Regency romance, two old friends warily consider giving love another try.

In this second volume of Michaels’ Linfield Hall series, following Lady August (2021), Louisa Strickland is content mostly to avoid scheming London in favor of managing her estate in the Kent countryside. “She was more than competent enough by herself,” readers are told, “so much so that she didn’t even employ a land steward.” As the novel opens, Louisa has only one worry: the well-being of her slightly foolish young sister, Flora, who’ll soon be making her society debut in London as an heiress with 30,000 pounds. Little does Louisa know that this very fortune will make Flora irresistibly attractive to the rakish Earl Charles Finch, who’s 20,000 pounds in debt (with the stern Duke of Rutley overseeing his account books and setting up a rigorous payment schedule) and badly needs to marry a rich heiress. This would be a perilous enough situation for the Strickland family women, but there’s an added wrinkle. Years ago, Finch and Louisa shared a brief and torrid moment, and both have tried to forget it ever since. Finch, readers learn, “hadn’t thought about Louisa Strickland in a long time, but just the idea of her red hair was enough to make his heart skip a beat.”

The author has devised a classic setup for a Regency love story of second chances. Longtime romance readers will feel very comfortable knowing exactly what to expect from the plot complications Michaels cooks up. Once the size of Flora’s dowry becomes widely known, debauched and impecunious lords of all kinds start swarming. When some of their attentions spill over to include Louisa, Finch finds himself in the awkward position of feeling protective about one sister even while he’s attempting to take advantage of another. The author skillfully manipulates these conflicting imperatives: Finch is entirely believable and very likable in her handling. And this is doubly true of Louisa, who not only doesn’t resemble her petite and delicate sister physically, but is a completely different kind of person emotionally as well, unconventional and fiercely independent. When one of her suitors, through a combination of guile and good looks, actually manages to tempt her, readers will feel a genuine sympathy for the plight of poor Finch, who by this point realizes that he has never stopped loving Louisa. Even comparatively late in the narrative, Louisa is still fighting her own version of this yearning, mainly on the grounds that she doesn’t want to sacrifice her independence. She “had no desire to become a countess, so attaching herself to the earl couldn’t possibly benefit her,” she thinks. “Why should she sign her life away to him?” This streak of self-sufficiency causes Louisa to put obstacles in the path of her own happiness, but it’s also a large part of what makes her such an intriguing character.

A delightfully vibrant tale of reluctant lovers reunited.