A beach read that explores enduring social themes.
For Claire Hart, being a townie in a bucolic seaside town in Maine in 1980 means always being aware of what she is not: rich like many of the summer visitors.
For high school valedictorian Claire, this is a “summer of freedom”—a gift from her dad before college. What starts off as a random day in town becomes a turning point in the cadence of the next few weeks when Claire is swept up by Pepper Toohey, daughter of a plumbing supplies magnate, and brought along on her family fun day. Claire’s not just meeting one Toohey—she encounters a whole network of cousins, including Pixie, Pike, and Cheddar. Claire’s invited onto their yacht, and she spends her first relaxing day in forever sailing with them. She even earns a nickname, “Flipper,” when she dives into the cold water to save Cheddar’s mom’s Schipperke who’s fallen overboard. And so begins a summer of stepping into a world she’s only heard whispers of, one revolving around lawn games, clambakes, and drama. A Toohey bad boy takes an interest in Claire, and of course, there’s the blond, enigmatic Pepper and the lure of her alpha girl friendship. This book reads as a cautionary tale, one that highlights the temperamental nature of class schisms. The story is deceptively straightforward: Readers will root for Claire throughout, and a surprise twist at the end has a visceral impact. Characters are cued white.
A beach read that explores enduring social themes. (Fiction. 14-18)Pub Date: Sept. 17, 2024
ISBN: 9781952143823
Page Count: 240
Publisher: Islandport Press
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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