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TENDER

McKeon regards the characters in her keenly wrought love story—for all their flaws and fragility—with insight, sensitivity,...

In McKeon’s exquisite second novel, two Dublin young people—poet and student Catherine and aspiring art photographer James—tumble into a friendship that, though its lines shift and blur, ultimately helps bring their identities into focus.

From almost the first moment they meet, Catherine and James are inseparable. They talk on the phone for hours and write long letters to each other when they're apart, walk arm in arm, and share a special common language when they're together. Although Catherine, still adjusting to life at university and away from her rural childhood home, is studying art history and English, James, who also grew up outside the city and is just back from a stint working as an assistant to a well-known photographer in Berlin, seems (to her, at least) to know far more about, well, everything than she. With James, Catherine learns to be bold and take risks—intellectual, emotional, physical. James, too, finds a path to himself and to his future. But as their relationship, tracked over the course of a little more than a year, in 1997-'98, becomes increasingly complex and weightier and takes on new dimensions, it begins to fracture. McKeon, whose debut novel, Solace, won the 2011 Faber Prize and was voted the Irish Book of the Year, captures something essential about friendship, vulnerability, love, and longing. As it explores the push-pull of this achingly intimate, increasingly obsessive relationship—the way James and Catherine attract and repel each other as if they were two strong magnets turned this way and that—the story throbs with the tension between them. This is youth; this is yearning. These are the lessons we learn about desire and disappointment, discovered strengths and regrettable weaknesses—and how to forgive ourselves for the mistakes we made when we did not yet know how to keep ourselves from making them.

McKeon regards the characters in her keenly wrought love story—for all their flaws and fragility—with insight, sensitivity, and a compassion that proves contagious.

Pub Date: Feb. 16, 2016

ISBN: 978-0-316-34432-6

Page Count: 416

Publisher: Lee Boudreaux/Little, Brown

Review Posted Online: Nov. 17, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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