A fabulous story packed with detail that explores both the positive and damning effects of extreme faith in a way that feels...
In Garcia’s debut, the lives of two young girls in early 20th-century Madrid, N.M., are threatened when the combative powers of witchcraft and Catholic mysticism fight for supremacy with devastating consequences.
Garcia’s novel weaves between the lives of two very different young ladies: Salia, a witch raised on the outskirts of town by a selfish mother and an uncaring grandmother; and Marcelina, a Catholic girl plagued by tragedy and death. However different their upbringings and backgrounds, the two girls come together at strategic times in their lives to find solace and balance in one another after the damage they’ve suffered because of their faith. The first time they unite, it’s because Marcelina’s family has been cursed by a centuries-old witch who has risen from the ground and thirsts for blood. The action only ramps up from there. Through family deaths, personal suffering and even a few romantic encounters, the intertwining tales of Marcelina and Salia become incredibly riveting, even moving. The characters are both born into worlds that don’t understand them and, despite mistakes along the way, there is much they both need and learn from one another. With a killer twist near the end and supernatural folklore that feels grounded in reality, Garcia’s title is fluid and well-paced, never taking the audience’s attention for granted. The world the author creates is rich, lush and scary; supernatural fans will certainly appreciate the copious worldbuilding that went into this novel. There’s also a fair amount of gore in the book; death is often described in the most harrowing fashion possible. Though the book drags in places, once the dominoes start falling in the book’s final stages, readers won’t be able to put it down—especially after one character’s very disturbing return.
A fabulous story packed with detail that explores both the positive and damning effects of extreme faith in a way that feels both fresh and authentic.Pub Date: April 24, 2012
ISBN: 978-1466429796
Page Count: 368
Publisher: CreateSpace
Review Posted Online: April 2, 2012
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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