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Homemade Love

There is no plot in this paean to parental unconditional love, but one isn’t needed; the bold design and bright colors infuse enough energy into the soothing message to keep readers and listeners hooked. Creatively placed, plum-colored type in a variety of sizes coupled with lively, stylized illustrations of a very-well-loved “Girlpie” and her parents convey the idea that parents love their children all the time, even when children make mistakes. Girlpie’s clothes reflect what’s going on; when she makes a mess, her blue dress is decorated with yellow sad faces. When her parents forgive her and hug her, it’s all smiley faces. When her father swings her high up in the air, her dress is adorned with clouds and planes. The brief text includes short sentences and sentence fragments, and begins with a litany of loving, homemade nicknames: “Mama calls me Girlpie. Her sweet sweet. Daddy’s honey bun chocolate dew drop.” Renowned writer and feminist theorist hooks gets Girlpie’s voice exactly right, and puts her finger on just what every child is most concerned with: will my parents love me even when I’m bad? What about when the lights go out at bedtime? The surety of her parents’ love comforts Girlpie even as she falls asleep; “Memories of arms that hold me . . . No need to fear the dark place.” This joyful, loving African-American family is a model for all families to emulate. (Picture book. 2-5)

Pub Date: Dec. 1, 2002

ISBN: 0-7868-0643-5

Page Count: 32

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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HAPPY IN OUR SKIN

The combination of lovingly humorous and detailed mixed-media illustrations and infectious rhymes will cause little ones and...

More than skin deep, this rhyming paean to diversity offers readers an array of families of all colors and orientations, living and loving one another in a vibrant city setting.

A giggling baby is tummy-tickled by her white and black mothers (or white mother and black father—impressively, the illustration leaves room for interpretation) in New York’s Central Park in its summertime glory. "This is how we all begin: / small and happy in our skin." This celebration of skin not only extols the beauty and value of various skin colors, but also teaches the importance of skin as an essential body part: “It keeps the outsides out / and your insides in.” Park, public-pool, and block-party scenes allow readers to luxuriate in a teeming city where children of all colors, abilities, and religions enjoy their families and neighbors. The author and illustrator do not simply take a rote, tokenistic approach to answering the cry for diverse books; the words and pictures depict a much-needed, realistic representation of the statement “it takes a village to raise a child” when a child skins her knee and many rush to her aid and comfort. Though her palette of browns is a little limited, Tobia creates sheer joy with her depictions of everything from unibrows, dimples, and birthmarks to callouts to recognizable literary characters.

The combination of lovingly humorous and detailed mixed-media illustrations and infectious rhymes will cause little ones and their families to pore over this book again and again. (Picture book. 2-5)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-7002-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 11, 2015

Kirkus Reviews Issue: June 1, 2015

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