Characters continually evolve and astonish in this exceptional supernatural tale.
In the second installment of Westbay’s (Revelations, 2018) fantasy series, an angel defies God and traverses multiple universes to save the mortal woman he loves.
Though angelic Alex Prescott knows that human Gwen Adams is not his destined soul mate, he has finally stopped denying his love for her. Unfortunately, it may be too late; someone has infected Gwen with a poison that’s slowly killing her. He believes her salvation is the Tree of Life, which can turn her immortal. But on the journey to the tree, Alex is unknowingly getting help from his and Gwen’s mutual friend, Jasper Mills, who initially hides from Alex that he’s a fellow angel. He partially heals Gwen, but he can’t completely cure her sickness. What Jasper truly wants is revenge against Alex, whom he blames for a transgression that happened long ago. Meanwhile, getting to the tree necessitates traveling through portals to other universes. Alex will need to find three gatekeepers, each with a key that can be obtained by fulfilling a quest or demand. Gwen, who knows Alex is an angel, isn’t certain that she can trust him. He had hurt her when he suddenly ignored Gwen after learning she was someone else’s soul mate. But the multiverse excursion is filled with surprises: Other angels enlighten Gwen about the histories of both Alex and Jasper, namely Alex’s former angelic love, Eva. While Alex is envious of Gwen and Jasper’s closeness (Jasper’s healing requires skin-to-skin contact), Gwen has reason to believe that Alex’s love for Eva continues to smolder after millennia. Westbay’s novel hums with sexual tension. Gwen, for one, is clearly attracted to Alex and Jasper, and Jasper exacerbates her conflict by openly flirting with her (primarily to upset Alex). These scenes showcase the author’s ability to illustrate sexual tension without forgoing subtlety: “Something inside me, something greedy and lustful, had clawed its way to the surface….It wanted the heat that sizzled off of him, and it wanted it now.” The three main characters are complex individuals; though the narrative calls back events from the preceding book, it also continues to develop the cast with convincing backstories. Nevertheless, Jasper is a standout. He’s done something villainous (from the earlier installment, though it’s not the poisoning), but as the story progresses, he develops new feelings: guilt over his deed and genuine compassion for Gwen. At the same time, Gwen and Alex occasionally appear fickle, each of them endlessly going back and forth on whether they want to be together. There is, however, a later twist that, at least in part, explains their emotional discord. The final act entails a few other twists as well, all of which hold water, even if they’re sometimes predictable. There’s also copious suspense (Gwen’s in perpetual jeopardy), including encounters with creatures in other universes and one particularly dangerous quest. This book, like the first installment, ends with a sensational cliffhanger that may prompt readers to add Volume 3 to their reading lists.
Characters continually evolve and astonish in this exceptional supernatural tale.Pub Date: Sept. 19, 2018
ISBN: N/A
Page Count: 339
Publisher: Time Tunnel Media
Review Posted Online: Aug. 28, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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