A continuation of the story begun in Yang's unique chronicle of her father's boyhood in China during the 1930s and '40s, Baba: A Return to China Upon My Father's Shoulders (1994). In this volume, now a strong-willed 17-year-old, Baba leaves the family home in Manchuria in search of a new life. WW II has recently ended, and the nation is in turmoil. Trusting neither the Communists nor the Nationalists, he makes his way warily through a tumultuous countryside. He watches as the Communists open fire on a group of students and witnesses paranoid eruptions of violence in the villages. Yet he also encounters kindness and is sheltered early on in a monastery where an old abbott tries to teach him detachment: ``If one . . . sees the world of appearances as transitory, one will transcend the pain, the pain of restless longing and discontent; only then will one be released from the endless cycles of suffering.'' But Baba wants to experience the world, and eventually he ends up in Taiwan teaching Mandarin and hygiene to an unpolished, isolated tribe distinguished by their tattooed faces. Shortly afterward he meets his wife-to-be. It isn't the stylistic merit of Yang's prose (which sometimes has a clichÇd, stilted sound) that makes her books so appealing, but rather the sense of an odyssey undertaken and of wonderful things revealed. Baba's fascination with life, his desire to learn, sustain him in the face of violence and treachery. The 20 colorful, elegiac paintings by Yang that accompany the text, populated by bald smiling baby heads and animals, convey the same sense of imminent magic and of fluid, changeable life. Yang's work has the feel of oral history and folk narrative commingled and begs to be read aloud. A talented, highly original blend of vivid family history and art. (Author tour)
Pub Date: Oct. 27, 1996
ISBN: 0-15-100175-8
Page Count: 336
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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