Wait for the remake.
A wide-angle take on images of the American South in film.
Beard, who has written reviews for a variety of publications, aims to examine depictions of the South on film, but the resulting narrative is scattershot and cursory. Most fundamentally, for all of the many incidental comments about the South, the author never establishes a central, foundational thesis on the topic. Beard tosses about scores of adjectives, usually negative, about the South—for example, Tennessee Williams’ view of the region was “haunted, sybaritic, oppressive, and strange”—but does he agree with these depictions? Does Beard find the South a place of “heat, sex and languor” as depicted in A Streetcar Named Desire? Some of the author’s commentary suggests that he does, but he must state it more directly and cogently. Beard’s survey of relevant films is wide-ranging, moving from Birth of a Nation to No Country for Old Men and beyond—but the analysis lacks insight. The author’s discussions of specific films lean heavily on plot summary, which often veers off topic. For example, a consideration of the James Bond film Live and Let Die wanders into general remarks about other 007 films. The tools and language of film criticism are largely absent, as Beard offers little detailed examination of shot composition, editing, scoring, direction, and performance to support his boldly stated opinions. However, some bright spots exist. A chapter on films set in Florida, where the author spent his formative years, has the detail and commentary other chapters lack. Some phrases hit the mark. As a Southern senator in Advise & Consent, Charles Laughton is “a slow-moving serpent, deadly, unforgiving, and always ready to strike.” Elsewhere, though, unnecessary profanity betrays a challenged critical vocabulary. Beard judges Oliver Stone’s JFK, certainly a highly flawed movie, as “a hot fucking mess” featuring “a shitload” of actors.
Wait for the remake.Pub Date: Nov. 10, 2020
ISBN: 978-1-58838-401-0
Page Count: 544
Publisher: NewSouth
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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