by Ben Clanton & illustrated by Ben Clanton ‧ RELEASE DATE: April 1, 2012
An ever-timely message, told in (two) primary colors.
What does it say that the nature and quality of our national political debate should be so baldly captured in a book for 4-year-olds?
Newcomer Clanton's candidates are a donkey and an elephant, economically if emotively drawn on fields of blue and red. Yes, we know who these characters are, even more so when they start to address the reader, aka the potential voter. First come the soft sell, the loopy promises and idle boasts—"Do you like CANDY?" "I'm a SUPER CUTE elephant!"—then come the ad hominem attacks: "Well, you certainly do, you big, STINKY pooper scooper," or, drawing from Spiro Agnew's playbook, "belching beast of burden." Finally, they sling enough mud that the electorate takes its business elsewhere. It is a painful point well made, that these candidates are laughable when not plain embarrassing. But even if the name-calling has a measure of low humor at first, it soon pales—something that Clanton's book threatens to do before its neat twist—in direct proportion to its sustenance on either the entertainment or intellectual front, as any 4-year-old will tell you. Read it with Eileen Christelow's splendid Vote! (2003) if you want that 4-year-old to actually learn anything, though.
An ever-timely message, told in (two) primary colors. (Picture book. 4-8)Pub Date: April 1, 2012
ISBN: 978-1-55453-822-5
Page Count: 40
Publisher: Kids Can
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
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by Ben Clanton & Andy Chou Musser ; illustrated by Ben Clanton & Andy Chou Musser
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by Joseph Bruchac & James Bruchac & illustrated by Jose Aruego & Ariane Dewey ‧ RELEASE DATE: March 1, 2001
Noted storyteller Bruchac (Squanto’s Journey: The Story of the First Thanksgiving, p. 1498, etc.) teams up with his son, James (Native American Games and Stories, not reviewed) to present a pourquoi tale from the East Coast Native American tradition. Bear is undeniably big; he is also a braggart, given to walking through the forest and proclaiming his superiority to all within earshot: “I can do anything! Yes, I can!” When he hears this, little Brown Squirrel challenges Bear to tell the sun not to rise the next day. This Bear does, and when the sun does in fact rise despite his injunction not to, Brown Squirrel unwisely gloats: “Bear is foolish, the sun came up. Bear is silly, the sun came up.” Thanks to trickery, Brown Squirrel escapes with his life, but not before Bear claws the stripes into his back that cause him to change his name to Chipmunk. The Bruchacs translate the orality of the tale to written text beautifully, including dialogue that invites audience participation. Aruego and Dewey’s (Mouse in Love, p. 886, etc.) signature cartoon-like illustrations extend the humor of the text perfectly. One spread shows the faces of all the animals rejoicing in the yellow light of the newly risen sun—all except Bear, whose glower contrasts ominously with Brown Squirrel’s glee. Clever use of perspective emphasizes the difference in size between boastful Bear and his pint-sized trickster opponent. Authors’ notes precede the story, explaining the history of the tale and each teller’s relationship to it. A winner. (Picture book/folktale. 4-8)
Pub Date: March 1, 2001
ISBN: 0-8037-2404-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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by Maya Ajmera & Elise Hofer Derstine & Cynthia Pon ‧ RELEASE DATE: Feb. 1, 2012
Creative teachers, librarians and parents will be able to use this book to start a number of different conversations, but...
By focusing this visually stunning book on “dressing up” rather than on the broader topic of clothing, the authors enjoy the freedom of selecting striking photographs of children dressed in traditional clothing, theatrical costumes and masks and school and sports uniforms.
Engaging, sharp photos, including a Chinese boy dressed as an emperor on the cover, young Nepalese Buddhist monks, a Japanese girl dressed in a beautiful kimono and Israeli Hasidic boys inexplicably wearing red fezzes, appear on boldly colored backgrounds. The lack of contextualizing material begs questions: Are the Israeli boys dressed up for Purim, a Jewish holiday when everyone wears costumes? The Japanese girl is probably dressed for Shichi-go-san, a holiday when 3- and 7-year-old Japanese girls and 5-year-old Japanese boys dress in traditional clothing, but the text (limited to very general short sentences such as: “Around the world, we dress up to have fun! We dance and play…” and “Dressing up means celebrating who we are…”) doesn’t reveal any supporting information. Country names appear on the photos, and there is a world map. The backmatter suggests going to folk festivals and museums, questioning adults about clothing and culture and making simple costumes and masks.
Creative teachers, librarians and parents will be able to use this book to start a number of different conversations, but descriptions of the clothing and their special meanings (if only for adult users) would greatly increase this book’s value. (Informational photo essay. 4-7)Pub Date: Feb. 1, 2012
ISBN: 978-1-58089-416-6
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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