A ghost story that’s more clunky than creepy.
A dream job at a writer’s house turned museum becomes nightmarish for a young couple.
The fourth novel by Dolnick (At the Bottom of Everything, etc.) is narrated by Nick, a musician scraping by in New York City with his girlfriend, Hannah. Though she’s just lost her job at a historical society, she thinks she’s found a great new replacement gig: managing the upstate New York home of Edmund Wright, a 19th-century writer with eccentric interests (he attempted to create an encyclopedia of all possible human sensations) and a tragic past. Despite the author’s eerie back story, the Hudson Valley house at first seems idyllic, giving Nick time to write songs while Hannah leads school groups. But when Hannah is found dead by a riverbank not long after their arrival, Nick has a hard time processing all the related informational inputs: Hannah’s past mental health issues, dark stories about former caretakers, and the ghost stories that surrounded Edmund Wright himself. The constituent pieces of the plot are unconvincingly stitched together: Hannah’s parents are overprotective by the standards of a 4-year-old let alone a 20-something, Nick commits a crime that’s out of character, and it’s hard to imagine what school group would want to visit the Wright home at all given the proposed classroom activities. (“Can you list five experiences from your own life that were painful? Please be as detailed as possible.”) And for a story ostensibly about hauntedness, there isn’t much of a frightening vibe. Its strength is as a tale about a young man’s grief, capturing the mental blind alleys bereavement sends us down and the feeling that “every house is a haunted house.” But though Dolnick is a strong observational writer playing with a variety of forms (memoir loose, 19th-century formal), the prevailing feeling is of a supernatural tale falling short of its ambitions.
A ghost story that’s more clunky than creepy.Pub Date: Feb. 13, 2018
ISBN: 978-1-101-87109-6
Page Count: 256
Publisher: Pantheon
Review Posted Online: Nov. 11, 2017
Kirkus Reviews Issue: Dec. 1, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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