by Ben H. Winters ; illustrated by Adam F. Watkins ‧ RELEASE DATE: Aug. 15, 2013
That said, the quality of the poetry is quite worthy of sharing around a campfire or at a slumber party; in the classroom,...
Novelist Winters (The Mystery of the Missing Everything, 2011) applies his pen to create 30 rhyming, slightly shivery poems.
The subtitle claims this poetry aims to “keep you up at night.” And if it does not, surely most of Watkins’ wonderfully creepy illustrations will, often hinting at dreadful outcomes not indicated in the text. In “How I Check for Monsters Before I Go to Sleep,” the verse visits each place the narrator thinks a monster may be hiding. “I turn on the lights in the bathroom, / and once all the shadows are gone / I check that there’s no growling fiends / in the tub or on the john.” The tone is light, but the accompanying illustration reveals something more sinister—waiting in the closet is something with a sinuous tail and muscled forearm leading to a hand with ultralong, black fingernails. And so it is with the rest of the book, with uneasy experiences taking place in “The Attic,” “The Deep End” and while “Hiking.” The breezy, witty voice on display does not seem to entirely jibe with the illustrations, which alone could be the cause of a serious case of the heebie-jeebies.
That said, the quality of the poetry is quite worthy of sharing around a campfire or at a slumber party; in the classroom, use it to demonstrate the wide range of forms creative verse can take. (Poetry. 7-12)Pub Date: Aug. 15, 2013
ISBN: 978-0-8431-7194-5
Page Count: 64
Publisher: Price Stern Sloan
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Thomas King ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Oct. 3, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Thomas King ; illustrated by Yong Ling Kang
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by Thomas King ; illustrated by Natasha Donovan
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by Thomas King and illustrated by Gary Clement
by Natalie Labarre ; illustrated by Natalie Labarre ‧ RELEASE DATE: April 14, 2020
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book....
From funeral clown to cheese sculptor, a tally of atypical trades.
This free-wheeling survey, framed as a visit to “The Great Hall of Jobs,” is designed to shake readers loose from simplistic notions of the world of work. Labarre opens with a generic sculpture gallery of, as she puts it, “The Classics”—doctor, dancer, farmer, athlete, chef, and the like—but quickly moves on, arranging busy cartoon figures by the dozen in kaleidoscopic arrays, with pithy captions describing each occupation. As changes of pace she also tucks in occasional challenges to match select workers (Las Vegas wedding minister, “ethical” hacker, motion-capture actor) with their distinctive tools or outfits. The actual chances of becoming, say, the queen’s warden of the swans or a professional mattress jumper, not to mention the nitty-gritty of physical or academic qualifications, income levels, and career paths, are left largely unspecified…but along with noting that new jobs are being invented all the time (as, in the illustration, museum workers wheel in a “vlogger” statue), the author closes with the perennial insight that it’s essential to love what you do and the millennial one that there’s nothing wrong with repeatedly switching horses midstream. The many adult figures and the gaggle of children (one in a wheelchair) visiting the “Hall” are diverse of feature, sex, and skin color.
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book. 7-9)Pub Date: April 14, 2020
ISBN: 978-1-5362-1219-8
Page Count: 48
Publisher: Nosy Crow
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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